I turn myself to something nearby, take a close-up look at the street, and on the urban interferences, I use the elements of this public representation and turn them into private. The reminiscences remain, in the end, as support structures, protecting the renewed and overlapped images. This pattern keeps alternating, like an exercise, like a figure of speech, that changes the focus, but remains linked to the relationship. The movement and transparency of the dancing figures or static ones refer to permeability, an absorption that crosses our course, our way, our path.